Gibbons was not the first carver, the anthropomorphic ‘Löwemensch’ figurine stands testament to this, however he was exemplary in his time, both virtuoso and innovative.
His legacy has stood the test of time as the most recognised British sculptor.
Always innovative, Gibbons has been a role model encouraging generations of carvers both to emulate his style of carving and develop new forms. Thus the lineage is carried on; through Kent, Chippendale, Lightfoot and Vile, Sheraton and Hepplewhite in the 18th century, Hope, Rogers, Wilkinson Wallis to name three from the 19th, to arrive at current practise, represented by members of The Master Carvers’ Association.
Carving has always required patronage, and the work of current practitioners is a collaborative effort – the result of Makers and Patrons combining to satisfy atavistic urges first expressed by their Palaeolithic ancestors.
The styles and themes that follow demonstrate this cooperative ethos of maker satisfying the patron’s wish.
Whether by conservation or restoration, copy, pastiche or innovation, and always with skill, care and talent, current practitioners extend an unbroken heritage and nurture future potential.